Dehancer film look plugin for Davinci Resolve Comprehensive Tutorial and Review

In this video I explain what constitutes a cinematic film look followed by a comprehensive tutorial on how to use every setting in the film emulation plugin Dehancer for Davinci Resolve. Following this I give my review of this plugin.

https://www.dehancer.com/
Make sure to use my PDTL discount code when you buy the plugin to get 10% off!

The video is broken up into multiple parts so I have provided a chapter index here so you can just jump to the portion of the video that is of interest to you.

00:00 Introduction
01:23 The Cinematic Film Look Defined
19:49 Dehancer Download, Installation for Windows and Mac
26:48 Enabling Dehancer with your license code
27:38 Add Dehancer to a clip and adjust total impact setting
29:06 Download Dehancer camera and film Profiles
29:41 Dehancer Comprehensive Tutorial
29:58 Dehancer Total Impact Setting
31:02 Dehancer Input Section
31:43 Dehancer Defringe Option
32:33 Selecting camera brand, model and recording format
33:27 Dehancer Film Stock Selection
33:59 Dehancer Expand Options
34:16 Dehancer Output Print Emulation
35:10 Dehancer Analogue Print Head adjustment
37:10 Dehancer Film Grain Effect
38:22 Dehancer Halation Effect
38:47 Dehancer Highlight Bloom Effect
41:35 Dehancer Vignette Effect
42:25 Dehancer Film Breath Effect
43:19 Dehancer Gate Weave Effect
44:15 Dehancer False Color Utility
44:28 Generate and export LUT
45:03 Review and Final Verdict

Film stocks included in Dehancer:
Adox Color Implosion 100
Agfacolor 100
Agfacolor Portrait XPS 160
Agfacolor XRS 160 200
AGFA Crome RSX II 200
Agfa Scala 200X (B&W)
Ambrotype by Anatolee Green
Astrum Color Negative 125
Cinestill 50D
Cinestill 800T
Fuji Eterna Vivid 500
Fuji Realia 500D
Fujichrome Provia 100F
Fujichrom Velvia 100
Fujichrom Velvia 50
Fujicolor 100
Fujicolor C200
Fujicolor Natura 1600
Fujicolor Print (Industrial) 100
Fujicolor Print (Industrial) 400
Fujicolor Pro 400H
Fujicolor Superia 1600
Fujicolor Superia 200
Fujicolor FP-100C
Fujifilm Instax
Fujifilm Instax (DI)
Fujifilm Neopan Acros 100 (B&W)
Illford HP5 Plus 400 (B&W)
Illford XP2 Super 400 (B&W)
Kodak Aerocolor IV 125
Kodak Color Plus 200
Kodak Eastman Double-X 5222 (B&W)
Kodak Eastman Ektachrome E100
Kodak Ektar 100
Kodak Ektar 25
Kodak Gold 200
Kodak Kodachrome 64
Kodak Plus-X Pan 125 (B&W)
Kodak Portra 160
Kodak Portra 160NC
Kodak Portra 400
Kodak Portra 800
Kodak Pro Image 100
Kodak Supra 100
Kodak Ultramax 100
Kodak Vision3 200T
Kodak Vision3 250D
Kodak Vision3 500T
Kodak Vision3 50D
Konica Centuri 100 DNP
Konica Impresa 50
Konica Minolta VX400 Super
Lomachrome Metropolis XR 100-400
Lomachrome Purple XR 100-400
ORWO Chrom UT21 Daylight
Polaroid Polachrome 35MM
Polaroid Type 100 Sepia (B&W)
Prokudin-Gorskiy 1906
Rollei CN200
Rollei Ortho 25 (B&W)
Svema Type-42 (B&W)

Special thanks to Ollie Jones for permission to use clips from his 16mm Film Devon: A 16mm Bolex H16 film which you can see here:

   • Devon - A 16mm Bolex H16 film  

All other film references in this video (Raiders of the lost Ark, Blade Runner, Mildred Pierce, Gone With the Wind, Footloose) are copyrighted content whose copyrights are retained by their particular copyright owners. All of that content is used under the fair use doctrine:

https://www.copyright.gov/fair-use/mo....

No copyright infringement is intended.

I am running a 2017 27" iMac. It uses a 4 core 4.2Ghz Core i7 processor with 40GB of RAM. My video card is the Radeon Pro 580 with 8GB of RAM.